While many of these conferences are on location, there are also online options so be sure to check those out too!

Here are 55+ writers conferences to check out

We’ve broken the list of writers conferences into categories, including blogging, freelancing, fiction, and more to help you narrow down on what interests you most.

Writers Conferences to Consider

General Interest

Ready to connect with literary agents, editors, and fellow writers at a writers conference or writing retreat?

WriterCon

When: Annually in August

Where: Oklahoma City, OK

WriterCon is a community of writers working together to build skills, exchange knowledge, make connections, and achieve their writing dreams. The conference aims to provide knowledge and opportunities designed to push you forward along your writer’s journey.

San Francisco Writers Conference

When: Annually in February

Where: San Francisco, CA

Held annually in February, the San Francisco Writers Conference is a “celebration of craft, commerce and community.” Connect with industry experts, bestselling authors, agents, editors and leaders in both self-publishing and traditional publishing.

Northern Colorado Writers Conference

When: Annually in July

Where: Fort Collins, CO and online

The Northern Colorado Writers Conference provides support and encouragement to writers of all genres and levels. The group also offers monthly meetings, classes and other networking and social events.

The in-person events are open to limited attendees, so you’ll get a more intimate experience.

Association of Writers and Writing Programs

When: Annually in February

Where: Various North American cities

Each year, the Association of Writers and Writing Programs (AWP) hosts the Annual Conference & Bookfair in a different city. The event celebrates authors, teachers, students, writing programs, literary centers and publishers in the region hosting the conference. With more than 12,000 writers and readers attending each year, AWP is the largest literary conference in North America.

Las Vegas Writers Conference

When: Annually in April

Where: Las Vegas, NV

Each year, Henderson Writers Group hosts the Las Vegas Writers Conference. The organization also hosts three meetings per week in Las Vegas. They’re open to the public, and members can read their writing for critique by attendees.

Midwest Writers Workshop Super Mini-Conference

When: Annually

Where: Muncie, IN and online

The Midwest Writers Workshop is a day-and-half conference and one of the more affordable option for writers at all levels. They offer a variety of in-depth small sessions in craft taught by published authors. You’ll also get to mingle with other writers and industry experts.

Writing Day Workshops

When and Where: Year-round throughout the U.S. and Canada (in person and online)

Writing Day Workshops presents day-long workshops offering a crash course on how to get your book published, with classes and presentations on everything from writing queries to working with an agent to marketing your book.

Missouri Writers Guild Conference

When: Annually

Where: St. Louis, MO

The Missouri Writers Guild is a 100+-year-old organization for professional writers in all genres across the Midwest. Join the Missouri Writers Guild Conference for writers at all levels for breakout sessions and masterclasses covering the craft and business of creative writing.

Fiction Conferences

Romance Writers of America Annual Conference

When: Annually in July/August

Where: Location varies

Romance writers gather at the Romance Writers of America Annual Conference to learn more about the business of being an author. Get an opportunity to meet and mingle with budding and successful romance authors, as well as workshops and events to boost your author career.

SleuthFest

When: Annually

Where: Boca Raton, Florida

SleuthFest is an annual conference for mystery, suspense and thriller writers sponsored by the Florida chapter of Mystery Writers of America.

This conference includes writing and marketing workshops, networking events, and pitch sessions with guest agents and editors. It even includes hands-on forensic workshops!

Worldcon and North American Science Fiction Convention

When: Annually

Where: Various locations around the world

The World Science Fiction Convention (“Worldcon”) is an annual gathering of the science fiction and fantasy community, held in a different location around the world each year. When Worldcon is held outside of North America, the corresponding NASFiC is held in North America.

This five-day international conference is attended by thousands of writers, artists, fans, editors, publishers, academics and dealers. The event embraces science fiction in all the forms, including film, TV, art, comics, anime and manga, and gaming.

Killer Nashville

When: Annually in August

Where: Nashville, TN

While attractive to mystery/thriller authors and screenwriters for its unique crime-focused sessions, Killer Nashville welcomes writers of all levels and genres. 

“Imagine hearing a CIA Analyst, an FBI agent on terrorism, Dr Bill Bass on The Body Farm, bestselling CJ Box on how he juggles his writing and plans his days, Heyward Gould on screenplays, and so much more. They even had a crime scene, with awards to those who studied the clues and figured out the mystery.”

Mystery author C. Hope Clark, reflecting on her 2012 Killer Nashville experience

Virtual Winter Thrills (Thrillerfest)

When: Annually

Where: Manhattan, New York and online

“It is the only conference where I really feel at home—and [International Thriller Writers] is truly the tribe I belong to…. I can talk about ways to murder people and weapons of choice and not feel weird. I can learn from some of the biggest names in the business, whose hours of writing experience number in the many thousands.”

Thriller author J.F. Penn at The Creative Pen

Virtual Winter Thrills is the latest iteration of the popular Thrillerfest writers conference from International Thriller Writers. It includes the perennial Practice PitchFest sessions and Master Class with best selling authors, plus a new series of craft and business classes called Winter Thrills MBA.

Blogging

We All Grow Weekend Fest

When: Annually in the spring

Where: Near Los Angeles, CA

We All Grow is a unique professional conference for Latinas working in the digital space. If you’re an online influencer or creative entrepreneur, this conference can help you network with others, learn strategies for personal and business growth, and connect with brands that want to reach your community.

Alt Summit

When: Annually in March

Where: Palm Springs, CA

Originally the Altitude Design Summit for design bloggers, Alt Summit has expanded since its founding in 2009 to include thousands of creative entrepreneurs, content creators, artists, and influencers. The emphasis is on connecting and collaborating with fellow creatives, and you’ll also get to attend keynotes, panels, and TED-style talks from high-caliber celebrities of popular culture and the online business world.

South by Southwest

When: Annually in March

Where: Austin, TX and online

South by Southwest has become the country’s premier event for the music, comedy, film and digital technology industries—basically, any creative person or fan!  In 2021, they launched the first SXSW Online, a digital extension of the massive convention. In October 2023, Australia hosted its first South by Southwest conference.

“What I love about SXSW—it always brings out my spontaneous side. I don’t make any plans until five minutes beforehand, and I love it.”

Jenny Blake, Life After College, The Number One Tip for SXSW Newbie

BlogHer Creators Summit

When: Annually in summer

Where: Various cities in the United States

Previously known simply as BlogHer, the reimagined Creators Summit promises to bring all the heat of thought leaders and influencers that the conference has been known for for nearly two decades. Attend workshops, panels and keynotes for anyone who wants to level up their online business. You’ll even get to engage with popular beauty and wellness brands.

Freelancing

American Society of Journalists and Authors Annual Conference

When: Annually

Where: Various cities in the United States

Attend the American Society of Journalists and Authors annual one-day conference to learn how to manage a freelance business or publish a book in the new media environment.

You can also find other one-day events throughout the year, covering various topics relevant to nonfiction writers, journalists, and authors. For example, in January 2024 there was a national convention of professional ghostwriters called Gathering of the Ghosts, a collaboration between ASJA and Gotham Ghostwriters.

Society for Professional Journalists Spring Conference Series

When: Annually in Spring

Where: Various cities in the United States

The Society for Professional Journalists day-long professional development meetings take place across 12 regions throughout the United States. They draw pros, students and educators for networking and training in topics ranging from writing skills to using new technologies.

Society for Advancing Business Editing and Writing

When: Annually in Spring

Where: Various cities in the United States

Learn about new media for journalists, writing for various industries, managing your freelancing business, and more in this three-day conference from the Society for Advancing Business Editing and Writing for journalists, business writers, and editors. Also keep an eye out for focused virtual and in-person trainings around the country.

Children’s Book Writing and Illustrating

SCBWI Annual Conferences

When: Various dates

Where: Various locations

The Society of Children’s Book Writers and Illustrators (SCBWI) hosts a slew of regional conferences around the world throughout the year, including the Annual Summer Conference in Los Angeles each August, and the Annual Winter Conference in New York each February.

Christian Writing

Blue Ridge Mountain Christian Writers Conference

When: Annually

Where: near Asheville, NC

Held annually at LifeWay Ridgecrest Conference Center nestled in the gorgeous Blue Ridge Mountains in western North Carolina, the Blue Ridge Mountains Christian Writers Conference is the premier training and networking event for both seasoned and aspiring writers and speakers.

Renewal Conference

When: Annually in April

Where: Bothell, WA

This annual conference by the Northwest Christian Writers Association celebrates and cultivates writers who are Christians. Hone your craft and engage your faith at the same time through keynotes, workshops, Q&A panels, networking events, and one-on-one appointments with professional writers and industry leaders.

Indie Publishing and Self-Publishing

Author Advantage Live

When: Annually

Where: Online

Author Advantage Live is a three-day interactive virtual experience contains all the information you’ll need to be successful as a self-published author—no matter your genre or goals! Author Advantage Live brings a vast list of expert speakers to the table. For example, Jenna Kutcher and Steven Pressfield were keynote speakers in 2022 and Amy Porterfield was the keynote speaker in 2023.

SelfPubCon: The Self-Publishing Advice Conference

When: Annually in Spring and Fall

Where: Online

SelfPubCon is for authors interested in self-publishing. It runs fringe to the London Book Fair and Digital Book World.

The conference is free and contains 24 sessions—one an hour for 24 hours. You can register to learn how to attend the next conference, and you can attend sessions live or catch up on your own time.

Orlando Reads Books

When: Annually in Fall

Where: Orlando, FL

Orlando Reads Books is a four-day event that includes workshops, panels and social events for indie, hybrid, and traditionally-published authors. It features sessions on craft and marketing, as well as events that let you mingle with readers and fellow authors.

Writer’s Digest Annual Conference

When: Annually

Where: Various locations

The Writer’s Digest editors bring you the Writer’s Digest Conference with resources for craft, career and creative inspiration. Nearly 50 agents and editors participate in the infamous Pitch Slam, and dozens of industry experts lead educational sessions.

International Writers Conferences (Outside of the United States)

Canada

Surrey International Writers’ Conference

When: Annually in October

Where: Surrey, British Columbia, Canada

The Surrey International Writers’ Conference is the “most comprehensive professional development conference of its kind in Canada.” Open to writers of all levels and genres, the conference offers an opportunity to show off your work to the international literary marketplace as well as to hone your craft and business skills.

Vancouver Writers Festival

When: Annually in October

Where: Vancouver, British Columbia, Canada

In the cultural heart of Vancouver, B.C., on Granville Island, the Vancouver Writers Festival invites authors, poets, spoken word performers and graphic novelists to celebrate the art of the story. It takes place for six days each October and continues throughout the year through special events and the Incite reading series.

“The Vancouver Writers Fest turns reading into a community experience, bringing people together to share thoughts, explore ideas and witness brilliant conversations.”

Vancouver Writers Fest

Kingston WritersFest

When: Annually in September

Where: Kingston, Ontario, Canada

At Kingston WritersFest, writers and readers in attendance will get to participate in thought-provoking discussions and unique events that champion artistic expression and development.

Hosted in a notably literary city, this festival is all about “the power of the written word to create a strong, engaged community.”

WordFest

When: Annually in April and October

Where: Calgary, Alberta 

A not-for-profit charitable arts organization, WordFest “brings readers and writers together through a premier international writers festival and year-round literary events.” Throughout the year, book clubs and other activities are available to those who want to engage with fellow writers and readers. Guests can enjoy readings, workshops, panel discussions and presentations that work toward connecting Calgarians through transformative ideas. 

Blue Metropolis Montreal International Literary Festival

When: Annually in April 

Where: Montreal, Quebec, Canada

The Blue Metropolis Montreal International Literary Festival is a bilingual (English/French) festival features programming for adults and children. Attendees enjoy workshops, readings and lectures from speakers across genres of writing and art.

The festival is free to attend, but you’ll have to pay a fee for select activities.

gritLIT

When: Annually in April 

Where: Hamilton, Ontario, Canada

gritLIT is a four-day festival is a celebration of Canadian authors. Its purpose is to highlight local writers and engage with the community.

“gritLIT brings the best contemporary Canadian writers to Hamilton to engage with local booklovers, to inspire and to be inspired by Hamilton authors, to promote a love of reading in young audiences and to celebrate the exchange of diverse ideas, experiences, and viewpoints.  ”

gritLIT

International Festival of Authors

When: Annually in October

Where: Toronto, Ontario, Canada

Since 1974, the International Festival of Authors has highlighted authors of contemporary literature. It includes 11 days of readings, interviews, artist talks, round-table discussions, book signings and several special events.

IFOA features novelists, poets, playwrights, short story writers and biographers from Canada and around the world.

The Toronto Star called this Canada’s “premier literary festival” and “a top destination for both international superstars and up-and-coming writers.”

Lakefield Literary Festival

When: Annually in July

Where: Lakefield, Ontario, Canada

The Lakefield Literary Festival includes author readings and masterclasses in writing for all ages. Admission price per event ranges.

“[The festival is] a celebration of the rich literary heritage of Lakefield and the surrounding area which includes the works of Catharine Parr Traill, Susanna Moodie and Isabella Valancy Crawford, among others, all of who lived and wrote in Lakefield.”

Lakefield Literary Festival

LitFest Alberta

When: Annually in October

Where: Edmonton, Alberta, Canada

LitFest Alberta celebrates nonfiction through readings, lectures, panel discussions and workshops. It covers diverse topics—from food writing to feminism. Several events are free.

Ottawa International Writers Festival

When: Annually in October and May

Where: Ottawa, Ontario, Canada

The Ottawa International Writers Festival celebrates ideas and imagination! Programming includes a poetry cabaret, town-hall style discussion, and fiction and nonfiction readings. To celebrate writing “outside the pages of books,” the festival often includes staged play readings, feature films, documentaries, CD launches and songwriter circles.

“Twice a year, we convene an international celebration of ideas to recharge our imaginations. From politics to poetry, science to music, history to thrillers, we celebrate the full diversity of the word and the gifted writers who guide us in our exploration of the world.”

The Ottawa International Writers Festival

When Words Collide

When: Annually in August

Where: Calgary, Alberta, Canada

Readers, writers, editors, publishers, agents and other artists attend this festival, which highlights commercial and literary fiction. When Words Collide welcomes writers of most genre fiction, YA, children’s books, nonfiction, and poetry.

UK and Ireland

The London Book Fair

When: Annually in Spring

Where: Olympia, London

The London Book Fair brings together authors, publishers and readers in the cultural hub of London to explore and understand the rapidly-changing publishing world.

“The London Book Fair is the global marketplace for rights negotiation and the sale and distribution of content.”

The London Book Fair

The International Dublin Writers’ Festival

When: Annually in June 

Where: Dublin, Ireland

From open mic readings to illuminating presentations, The International Dublin Writers’ Festival will give you the opportunity to attend training sessions led by renowned authors and industry experts, where you’ll learn about the craft and business of writing, as well as connect with fellow writers.

“This conference will help you to improve your writing craft, publish successfully, and plan the marketing necessary for any author to achieve success whether traditionally published or self-published. This conference provides practical support, valuable training and an opportunity to meet and get to know fellow writers in one of the world’s great literary cities.”

The International Dublin Writers’ Festival hosted by Books Go Social

Listowel Writers’ Week

When: Annually in May/June

Where: Listowel, County Kerry, Ireland

Running nearly 50 years, Listowel Writers’ Week is an annual literary festival for YA literature. It includes writing workshops, readings, interviews, forums, book launches and masterclasses. Enjoy tours of the historic Irish town and access to local and international writers.

The festival also includes several writing competitions for novel, short story, humor, and playwriting. Awards even exist for sports journalism, writing for readers with special needs and writing in prisons.

Stoke Newington Literary Festival

When: Annually in June 

Where: London, UK

The Stoke Newington Literary Festival celebrates the diverse, “radical, rabble-rousing and literary history” of the Stoke Newington area of Hackney in London. Free and paid events feature readings and performances across genres and media. Admission to paid events ranges from £3 to £10.

Strokestown International Poetry Festival

When: Annually during the first weekend in May

Where: Strokestown, County Roscommon, Ireland

The Strokestown International Poetry Festival has been celebrating poetry since 1999. Its mission is to “showcase contemporary poetry, local, national and international, foster the development of emerging writers and consolidate poetry in local cultural life bringing it to the widest possible audience.”

The weekend includes readings from several established and up-and-coming poets, a poetry workshop and poetry competitions for poems in English and Irish.

Hay Festival

When: Annually in Fall and Spring

Where: Hay-on-Wye, Wales

President Bill Clinton dubbed this festival “Woodstock of the mind,” according to The Telegraph.

The Hay Festival in Wales joins coinciding festivals around the world to celebrate writing of all kinds through panel discussions and lectures.

“Hay celebrates great writing from poets and scientists, lyricists and comedians, novelists and environmentalists, and the power of great ideas to transform our way of thinking.”

Hay Festival

Kent Arts Conference

When: Annually in July or August 

Where: Canterbury, Kent, UK

Originally the Warnborough College Conference on the Arts and previously the Canterbury Arts Conference, the Kent Arts Conference has grown to accommodate an international audience. It welcomes artists in all disciplines and media, academics, students, historians and other professionals.

Participants have the opportunity to share and publish research, and network with peers. The conference includes creative writing and visual art workshops, as well as presentations of art in a variety of media.

Ledbury Poetry Festival

When: Annually in July

Where: Ledbury, UK

The Daily Mail called this festival, launched in 1997, “the world’s most diverse poetry festival.”

It really has something for everyone. The Ledbury Poetry Festival features an array of community events to celebrate the writing and performance of poetry. Attend readings, writing workshops, panel discussions, musical performances, craft seminars and open mics in the “lively and picturesque market town” of Ledbury.

It also includes programs for new writers and a poetry competition.

Europe

Geneva Writers Group

When: Various dates throughout the year

Where: Various locations in Geneva, Switzerland 

The Geneva Writers Group is brimming with opportunity. It offers several informative events throughout the year: the biennial Geneva Writers’ Conference; a “Meet the Agents” weekend on alternate years; monthly Saturday workshops from September to June that include masterclasses and critiquing sessions; coordinated writing groups; and an annual literary cruise on Lake Geneva. 

Whether you’re an established author or just starting out, GWG welcomes writers from around the world and offers a supportive community that encourages creative writing. 

Paris Café Writing

When: Various dates in April and November

Where: Le Marais, Paris

Patricia Tennison, a professor and author of award-honored books, leads a small group of eight writers in a week-long workshop. Accompanied by her husband Joseph Prendergast, a poet and teacher, Tennison guides writers of all experience levels through five morning seminars and a private writing session. 

Some meals and activities are included in the registration fee for Paris Cafe Writing, but guests are responsible for lodging and transportation. 

Frankfurt Writers’ Conference 

When: Annually in March

Where: Höchst, Frankfurt am Main, Germany

The Frankfurt Writers’ Conference began in 2018 and anticipates organizing an even bigger and better event each year. In two fun-filled days, the conference hosts an interactive workshop and discussions led by an accomplished list of German and English-speaking literary agents, publishing representatives and writers. 

Expect to learn ways to improve your pitch, receive insider knowledge on the world of publishing and more. 

Middlebury Bread Loaf Writers’ Conference

When: Annually in September 

Where: Erice, Sicily

Middlebury Bread Loaf Writers’ Conference is a seven-day writers conference in the beautiful, ancient town of Erice.

Attendance is limited to just five groups of six participants for an intimate experience. The conference includes small-group workshops, plus classes and lectures for all attendees. It’s open to fiction, poetry and nonfiction writers.

For additional options, check out sister Bread Loaf conferences in Ripton, Vermont.

Information, Medium & Society: International Conference on Publishing Studies

When: Annually in July

Where: Venice, Italy

Since 2003, this evolving research network has brought writers, readers, publishers, emerging scholars and more together to discuss “investigations on the nature and forms of information, and publishing practices as distinctive modes of social knowledge and cultural production.”

When you attend the International Conference on Publishing Studies, make sure to attend a range of sessions and presentations that allow opportunities for networking and learning more about key issues in the industry.

Iceland Writers Retreat

When: Annually in Spring

Where: Reykjavik, Iceland

Whether you’re an aspiring, published or hobby writer, you’re welcome to join the Iceland Writers Retreat. It includes small-group workshops, dinner and receptions for networking, and tours of the area.

This program focuses on literary fiction and nonfiction books, so it’s not a good fit if you want to learn more about freelancing, online writing, genre fiction, poetry, or other media.

Asia and Oceania

NonfictioNOW

When: Annually in December

Where: Wellington, New Zealand 

NonfictioNOW features roundtable discussions and keynote speakers that highlight a variety of nonfiction, including memoir, essay and literary journalism. There are also multimedia presentations, including graphic and video essay.

“The NonfictioNOW Conference is a regular gathering of over 400 nonfiction writers, teachers and students from around the world in an effort to explore the past, present, and future of nonfiction.”

NonfictioNOW

Melbourne Writers Festival

When: Annually in late August/early September

Where: Melbourne, Australia

The Melbourne Writers Festival is for readers, writers, and thinkers and engages participants through, storytelling, discussion, intellectual debate, educational programs, live performance, music, and art events.

Enjoy writing workshops, lectures and panel discussions on all forms of creative writing.

Asian Festival of Children’s Content 

When: Annually in May or September 

Where: Various Southeast Asian countries

Guests joining the Asian Festival of Children’s Content get to have unique and culturally rich experiences, hosted in a different Southeast Asian country each year. Workshops, masterclasses, presentations, panels and other events organized by the Singapore Book Council explore the world of children’s publishing, from creation and distribution to consumer consumption. 

Whether you’re an academic, a writer, editor, agent, publisher, teacher, parent or anything in between, guests are encouraged to partake in the celebration of Asian content for children and young adults, plus take advantage of opportunities to network and hone their craft.

Central and South America

San Miguel Writers’ Conference and Literary Festival

When: Annually in February

Where: San Miguel de Allende, Guanajuato

Established and emerging writers are welcome at the San Miguel Writers’ Conference and Literary Festival.

Attendees will get the chance to network with writers from around the world at this prestigious multicultural, bilingual (English/Spanish) writers’ conference and literary festival. Prepare to hone your craft through workshops, masterclasses, keynote presentations, panel discussions and seminars.

And don’t forget the beautiful location! Bill Maxwell, opinion columnist at Tampa Bay Times, said of his experience in San Miguel:

“Rarely have I fallen in love with a landlocked city. … This is a magical place, starting with its colonial architecture. Many of its large and colorful homes are nestled among jacaranda and decorated with bougainvillea. As I walked the narrow cobblestone streets, music and gaiety greeted me.”

Bill Maxwell, opinion columnist at Tampa Bay Times

Storyteller Within

When: Annually

Where: Lake Atitlan, Guatemala

The Storyteller Within Women’s Retreat is a nine-day conference specifically for women. It includes daily yoga and writing sessions and encourages women to do self-reflective, inner healing work. Conference participants are selected through an application process.

Cuenca International Writers Conference

When: Annually in August (note: we’re unable to verify if this conference is still happening)

Where: Cuenca, Ecuador 

Ready to learn, network and recharge? At this conference, “you’ll laugh, you’ll learn, you’ll meet new friends who understand the writing life, and you’ll return home with a fresh perspective that allows new ideas to flourish.” 

Tucked away in what’s considered one of the most beautiful cities in South America, the Cuenca International Writers Conference provides writers of all backgrounds intimate networking opportunities with distinguished presenters, stimulating workshops, and unforgettable cultural experiences.

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

Photo via Matej Kastelicg/ Shutterstock 

Maybe you want to become the next Sarah Dessen of YA fiction, or perhaps you created a series you know will rival the book-to-movie successes of “Hunger Games” and “Harry Potter.”

Either way, you should know that no road to authorship is paved with gold. It doesn’t matter which road you choose—there are pros and cons to both routes.

While authors who self-publish boast the wonders of creative control and higher royalties, they also bemoan the uphill climb it can be to reach an audience. Authors who publish traditionally say mainstream success is the only way to go, all the while they relinquish the ability to have a say in final book decisions and lose creative control. 

That means the answer to this age-old debate: “traditional vs. self-publishing” is inconclusive. The right path for you depends entirely on what you want from your author experience. 

Of course, you will ask yourself more than five questions about whether it’s better to self-publish or get a publisher, but these essential questions ought to provide you foundational answers for a complex and often confusing process.

Once you’ve worked through these questions, I recommend researching more on the topics that resonate with you. The world of publishing seems to change on a monthly basis, so it’s to your advantage to research your decisions before fully committing.

Now, let’s discuss five essential questions to ask yourself about self-publishing vs. traditional publishing.

• How soon do you want to release your book?
• How many people do you want to reach?
• How much control do you want over your book?
• How much do you want to earn?
• What is your primary goal?

1. How soon do you want to release your book?

Generally speaking, a traditionally published book takes at least one year to be published.

That doesn’t include the writing of the manuscript or the laborious and time-intensive process of pitching agents and waiting on a publishing house to accept your book. Timelines do vary, as smaller publishing houses can move faster, but it’s a safe bet that once a publisher has accepted your manuscript, it’ll be another year before it’s on sale.

In my experience as a co-author on the traditional publishing side, we needed a year before a publisher bought our book. It was another year until the book was on sale. All told, we waited two years after its writing to see the book in bookstores.

In stark contrast, you could self-publish your book tomorrow.

If all of your essential prep work was complete—editing, cover design, formatting—and you knew how to upload the correct documents to your preferred self-publishing platform, your book could be available to the masses within a day.

I wouldn’t recommend doing this, but quick-turnaround self-publishing is possible. (That benefit is also a deficit: Self-publishing suffers from drivel overload because the barrier to entry is too low.)

If your primary goal for your book is to release it as soon as possible, self-publishing is your choice.

Winner: Self-publishing.

But speed-to-market shouldn’t necessarily be your only deciding factor. Take these other questions into consideration before you make a firm decision.

2. How many people do you want to reach?

Most every writer wants the world to read their book. Or, at best, they want their target audience to find their book, read and review their book and become ardently devoted fans for the rest of the author’s life.

But, with rare exceptions, such fandom doesn’t just happen. It has to be built from the ground up, whether you plan to self-publish your book or seek traditional publishing. These days, both processes demand that the author has a platform.

For authors without a sizable platform attempting to reach readers, self-publishing can be a black hole. In “Publishing 101,” Jane Friedman wrote the blunt truth: “When writers chase self-publishing as an alternative to traditional publishing, they often have a nasty surprise in store: No one is listening. They don’t have an audience.”

If you don’t believe that, believe this: As of August 1, 2018, the Kindle store sold 6,922,403 titles. (Thanks to Claude Forthomme for helping me find that number.)

And because Amazon sells the majority of ebooks among all retailers, those millions of titles are your competition. Yes, you have the opportunity to reach Amazon’s millions of daily customers, but you also have to figure out how to get those customers to find your one-in-a-million book.

Unless you’re knowledgeable about the many publishing outlets available to self-publishers, you will likely rely on Amazon’s ecosystem for your sales. But that carries one looming caveat: little to no bookstore distribution.

Sure, your book could be ordered by a bookstore if a patron specifically requests it, but the likelihood of your self-published book being distributed to major bookstores across the nation is, well, slim.

The relationships that traditional publishers have with distributors and bookstores may be their greatest benefit to authors. 

Side note: Don’t fall for the lie that a traditional publisher will provide ample marketing dollars to back your masterpiece. They likely won’t. Even if they do front some money, your book better do very well in its opening week and first few months to warrant them investing any more.

Again: every author needs a platform. Don’t wait for anyone to build it for you.

Winner: Tie. It depends on your platform.

3. How much control do you want over your book?

If you want complete control of your book, you will self-publish. But it’s important to think through exactly what you’re taking on—or giving up—when talking about controlling your book.

Controlling your book means being fully responsible for every aspect of the book. This extends far beyond just writing the book.

You will have to spend time or money to ensure that your cover design, interior design, editing, rights, distribution, pricing and marketing are all accomplished to a level that can compete with traditionally published books.

You will either have to apprentice yourself to the many aspects of self-publishing or pay someone—or many someones—to help you. In “Publishing 101,” Jane Friedman calls self-publishing “a ton of work, like starting a small business (if you do it right).”

Still, you retain creative control. The freelancers you may hire work for you. You get to tell them what to do because you’re signing their paychecks.

In contrast, consider what else Jane Friedman advised: “When working with a traditional publisher, you have to give up a lot of power and control. The publisher gets to decide the cover, the title, the design, the format, the price, etc. You have to go through rounds of revisions and will likely have to change things you don’t want to change.”

To some authors, that’s terrifying. They wouldn’t be able to abide by changes that went against their creative sensibilities. It’s their book, after all.

Joanna Penn wrote about her friend Polly Courtney, who “famously resigned from her publisher on publication day because she was marketed as chick-lit when she writes gritty novels about social issues. She was angry and upset about losing that creative control. You may also get an editor you don’t agree with, especially as many of the more experienced editors move up in the company or are working freelance for more money.”

But, for other authors, giving up that control is freeing. They don’t have to spend the time, money or brainpower on the seeming incidentals of getting a book published. They can focus on writing, then on writing the next book.

Whether you pursue self-publishing or traditional publishing, you’ll have to give up something: time, money or control. Which of those are most important to you?

Winner: Self-publishing.

4. How much do you want to earn?

Unfortunately, we can’t all be John Scalzi, who accepted a 10-year, 13-book deal for $13.4 million from Tor Books after a rather well-known and lucrative move from self-publishing to traditional publishing.

Today, earning a living from book sales is hard, but it is an uphill battle.

While the average self-published author can’t make a full-time living from their books, there are outliers—Rupi Kaur, Andy Weir, Hugh Howey, E. L. James, etc.

But the same can be said for the majority of traditionally published authors. Most aren’t making a full-time living from their books, especially when the average book advance is between $5K-$20K.

What I’m trying to unsubtly suggest is what Jane Friedman says so well in her book: “Anyone in it for the coin should find some other field.”

Now that I’ve warned you against the lure of publishing riches, here are the frustrating and unhelpful facts about earnings per book when it comes to self-publishing versus traditional publishing.

With royalties ranging from 30 to 70 percent, you stand to make more per book by self-publishing.

The challenge for you self-publishing will be distribution. It’s easy to get into Amazon where 70% of all book sales happen. But it’s tough to get eyeballs unless you have good ads, a good platform, and good keywords and categories.

In contrast, traditional publishing offers increasingly lower advances (unless you’re famous or have written a book that leads to a bidding war). Royalties are lower than in self-publishing as well—that is, if you even earn out your advance. Up to 80 percent of books never earn back their advance, meaning that the author never receives royalties (“Publishing 101”).

The frustrating, confusing aspect is that traditional publishing offers better distribution. Simply put, your book is available in more places.

The question comes down to this: Would you rather earn more per book but have to drive your own distribution by self-publishing, or would you rather earn less per book and hope the traditional publishing process helps your reach?

Winner: Tie.

5. What is your primary goal?

This is the tiebreaker question.

What if you’ve read this far and each of your answers has canceled out the previous answer? What if, by this point, you’re more confused than when you began?

Consider your primary goals:

• If you want to get your book to market as fast as possible, self-publish your book
• If you want to reach the most readers, learn how to start building your author platform because that’s the key to selling books whether you self-publish or traditionally publish
• If you demand creative control over every aspect of your book, self-publish

Your primary goal may not even be listed in this article, but you need to define what success looks like for your book. Then work backward from there.

In the end, no matter which route you take, pursue that path with as much passion and care as you placed into the writing of your book. No one will champion your book unless you’re it’s first and greatest champion.

The original version of this story was written by Blake Atwood. We updated the post so it’s more useful for our readers.

Photo via Dean Drobot / Shutterstock 

And, most importantly, is it going to break the bank and wipe out your revenue? 

I wish I could give you a firm rule, something like proofreading will always cost one cent per word, copyediting two cents per word, and developmental editing three cents per word.

Wondering how much does an editor cost? Keep reading!

The truth is much hazier than that. How much a book editor costs depends on several factors.

So my goal here is to flesh out those factors and give you a sense of how much book editing might cost.

Freelance editing rates vary widely from one editor to the next, so I’ll also help you think through how to compare different editors and decide which one to hire.

How much does an editor cost? 

How much an editor costs, as with any self-publishing service, depends on a lot of factors. That said, for copyediting/proofreading, you’re generally looking at $1,000-$3,000 per book. For developmental editing—the higher level stuff—you’ll be looking at $5,000 to $10,000 USD per book.

There’s obviously a lot of room in there, so let’s break down some hard numbers and actual rates. 

Many writers point to the Editorial Freelancers Association rates page as a guide toward setting editorial rates. (Disclaimer: I’m a member of the EFA.)

The EFA rates page lists various editing and writing tasks and their attendant hourly rates as self-reported by EFA members who took the rates survey. They break down editing into five subcategories and list proofreading as a separate category.

(Tip: they also list per-hour and per-word rates for writing work.)

For comparison purposes, let’s look at the editing rates and use an average page-per-hour and an average hourly rate. For instance, the EFA lists basic copyediting of 5–10 pages per hour at a cost of $30–$40 per hour, so I’ve assumed 7.5 pages per hour at a cost of $35 per hour. The other total calculations also use their respective average rates.

For a 70,000-word book, your editing costs could be:

• Developmental editing: $.08 per word, or $5,600 total
• Basic copyediting: $.018 per word, or $1,260 total
• Proofreading: $.0113, or $791 total

It’s easy to extrapolate from this what your total expected editing cost could be. Fantasy, sci-fi, and epic novel writers should be forewarned.

For a 120,000-word book, your editing costs could be:

• Developmental editing: $.08 per word, or $9,600 total
• Basic copyediting: $.018 per word, or $2,160 total
• Proofreading: $.0113, or $1,356 total

While these are simply one website’s average estimates for editorial costs, they serve as a reliable benchmark.

If you end up paying more for an editor, you might be glad you did. As in life, so too in books: you often get what you pay for.

7 questions to ask before hiring an editor

Think through these questions when trying to figure out how much to spend on your editing project. They’ll help you figure out how much you’ll need to pay an editor to review your book.

1. What kind of editing do you need?

What does a book editor do? Not all editing is created equal. Here are a few different kinds of editing:

• Developmental editing: big picture, content editing, macro editing
• Copyediting: micro editing, grammar editing, flow and structure editing
• Proofreading: consistency check, format and layout

Developmental editing costs more than copyediting, and copyediting costs more than proofreading.

2. What’s your total word count?

Book editors for hire typically charge by word count or page count. Some charge by the hour, but that’s rare, especially for editing long books.

Knowing your total word count is essential to an editor’s cost estimations for taking on your project.

3. How complex is your book?

Editing academic work to a niche style guide will cost more than editing a novel per the Chicago Manual of Style.

Editing a book with hundreds of footnotes or endnotes should cost more than editing a book without citations.

In other words, the complexity and niche of your work will affect the book editing rate.

4. What’s your deadline?

How quickly do you need the work done? The more flexible you are with your deadline, the less you might pay.

If you ask for your 100,000-word novel to be copyedited within two weeks, you might have to pay a premium for such a fast turnaround, especially if your editor is already booked.

5. What’s your writing experience?

Do you consider yourself a beginner, mid-level or expert writer?

By default, beginning writers will need more help, which means more time, which can mean more money.

An experienced editor can often take a look at an excerpt from a manuscript, get a feel for your experience level, and deduce the amount of time they need to edit the full manuscript.

For beginning writers: always look at hiring an editor as an investment in both your book and yourself. With the right editor, you should grow as a writer because of the feedback.

6. What’s your editor’s experience level and/or demand?

A novice editor will cost less than an editor with decades of experience and multiple best-sellers in their portfolio.

Of course, you get what you pay for, and an experienced editor might bring more value.

Likewise, if you want to work with an editor who’s in high demand and booked six months out, you’ll likely have to pay more than if you choose to work with an editor who has lots of room in her schedule.

7. What’s your flexibility?

If an editor is booked solid, can you afford to wait six months to get the editor you want?

Or, will you pay a premium to jump their queue if they offer such an option? Or, will you choose a lesser-known or less experienced editor at a lower price so that you can have your editing accomplished faster?

How to compare editing costs (free download)

If you’d like to get truly organized about your search, download this simple book editing checklist to help in your search for an editor who meets most of your desired criteria and offers freelance editing rates you’re willing to pay.

I say “most of your desired criteria” because it’s rare to find an editor who will meet all your criteria.

For instance, you may have to pay a few hundred to a few thousand dollars more for your top pick. Or, you may find someone at your precise price point, but their experience isn’t quite what you’d like it to be. You must be the one to assess what trade-offs you’re willing to make.

By using that checklist, you should be able to quickly and easily compare the editors you’re vetting.

If you’re given an hourly rate for freelance editing, ask the editor how many pages per hour they can edit, then extrapolate their per-word rate.

Compiling this information is a headache (especially for math-averse writers like myself), but seeing every editor’s rate as a per-word rate will help you better compare editors.

To learn more about editing as a whole, and the entire publishing process, check out the resource below.

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

Imagine holding a mirror to your life where every reflection tells a story, some so vivid and profound they could only be believed because they are true.

This is the essence of memoir, a genre that turns personal experiences into a universal language of emotions, lessons, and discoveries.

As writers, delving into memoirs is more than a pastime—it’s an exploration into the art of storytelling through the lens of real-life adventures, struggles, and triumphs.

We’ll explore 33 memoir examples from some of the most popular types, giving you a feel for the diversity of the genre and the writing lessons to take from these beloved books.

What is a memoir example?

A memoir example is an example of a published book that chronicles the author’s personal experiences, offering insights into their life’s pivotal moments, emotions, and lessons learned.

Unlike autobiographies, which may aim to document each phase of a person’s life, memoirs tend to focus on a specific theme, period, or series of events, painting a detailed picture of the human condition through a personal lens.

This focus enables memoirs to resonate deeply, bridging the gap between the author’s world and the reader’s.

Memoirs stand out because they prioritize storytelling over chronological history.

They invite readers into the author’s world, sharing the emotional journey rather than just the facts.

This narrative approach enriches the reader’s experience, making each memoir a unique exploration of life’s complexities.

What are the benefits of studying memoir examples?

So why should you take the time to study these memoir examples and learn the lessons they contain?

Only by studying successful memoirs can you have the right mix of knowledge and inspiration to write your own.

Some of the most compelling reasons to become a student of the memoir genre include:

1. Enhanced empathy: By walking a mile in another’s shoes through their memoir, you gain insights into lives and perspectives vastly different from your own. This exercise in empathy enriches your understanding of the human experience, broadening your worldview.
2. Improved writing skills: Analyzing the narrative structure, voice, and character development in memoirs sharpens your writing. Each memoir serves as a masterclass in storytelling, offering lessons in crafting compelling narratives that engage readers.
3. Diverse perspectives: Memoirs open windows to varied cultural, social, and personal landscapes, encouraging you to explore themes and stories beyond your immediate experiences. This diversity fuels creativity, inspiring fresh ideas and approaches in your writing.
4. Emotional connection: Learning how authors convey their most intimate experiences helps you harness the power of emotional storytelling. This connection is vital in writing that resonates with readers, making your work memorable.
5. Authentic voice development: Memoirs exemplify the importance of an authentic voice in storytelling. Studying them helps you find and refine your unique voice, an essential element in distinguishing your writing in a crowded space.

Now that you have a solid grasp of the benefits that studying memoirs offers, let’s delve deep into the first of our eleven memoir types, showcasing three pertinent examples and the lessons you can learn from each.

1 – Memoir examples of early life stories

Early life memoirs explore the foundational years that shape individuals, offering a deep dive into the experiences and influences that forge character, resilience, and perspective.

These memoirs are a testament to the lasting impact of youth on personal growth and identity.

The Glass Castle by Jeannette Walls

This memoir provides a raw, unflinching look at Walls’ nomadic, poverty-stricken childhood with her dysfunctional family. It’s a story of resilience in the face of chaos and neglect.

Aspiring memoir writers can learn from Walls’ ability to recount her experiences with honesty and without self-pity.

Her narrative teaches the power of a clear, straightforward storytelling style, proving that the strength of a memoir lies in the truth of its tales, however harsh they may be.

Educated by Tara Westover

Westover’s journey from growing up in a strict, survivalist family in Idaho to earning a PhD from Cambridge University is a compelling exploration of self-transformation and the quest for knowledge.

Writers should note Westover’s skillful handling of complex family dynamics and her journey to education and self-awareness.

The memoir demonstrates how to weave personal growth with broader themes of education and freedom, offering a blueprint for balancing personal narratives with universal questions.

This Boy’s Life by Tobias Wolff

Wolff’s memoir of his adolescence captures his experiences with a volatile stepfather and his desperate, often misguided attempts to escape a bleak home life.

From Wolff, writers can learn the importance of reflective insight and the nuanced portrayal of characters, including oneself, in memoir writing.

His candid exploration of his younger self’s flaws and misadventures serves as a lesson in the value of vulnerability and honesty in crafting a compelling narrative.

2. Memoir examples of adventure and exploration books

Adventure and exploration memoirs plunge readers into the heart of the unknown, sharing the author’s journeys through uncharted territories, both external and internal.

These stories are not just about the places visited but the personal transformations that occur along the way.

Into the Wild by Jon Krakauer

Krakauer tells the story of Christopher McCandless, a young man who abandoned his possessions to explore the Alaskan wilderness, ultimately leading to his tragic end. This memoir explores themes of freedom, nature, and the search for meaning.

Writers can learn from Krakauer’s meticulous research and narrative framing, illustrating how to blend biography with personal anecdote and analysis.

This memoir is a masterclass in building suspense and maintaining reader engagement through detailed, evocative descriptions of the natural world and the human spirit.

Wild by Cheryl Strayed

Strayed’s memoir recounts her solo hike along the Pacific Crest Trail, undertaken in a moment of personal crisis. It’s a story of physical endurance and emotional healing, as the journey brings her face to face with her past and her fears.

For memoir writers, Wild showcases the power of a personal journey to drive a narrative.

Strayed’s frank and poignant prose demonstrates how to balance introspection with action, making her external journey a mirror for internal change.

The Motorcycle Diaries by Ernesto “Che” Guevara

Before he became a revolutionary, Guevara embarked on a youthful motorcycle journey across South America with his friend Alberto Granado. This memoir is a blend of adventure and emerging social consciousness.

Aspiring writers can draw inspiration from Guevara’s evocative descriptions and the way he weaves social and political observations into his personal narrative.

This memoir exemplifies how travel can be a catalyst for personal and ideological transformation, teaching writers to infuse their stories with broader themes beyond their immediate experience.

3. Examples of cultural and social identity memoirs

Memoirs focusing on cultural and social identity delve into the complexities of belonging, exploring how background, society, and personal choices converge to shape one’s sense of self. These stories are vital for understanding diverse perspectives and experiences.

The Year of Magical Thinking by Joan Didion

Didion reflects on the year following the sudden death of her husband, exploring themes of grief, love, and memory. Her precise, stoic prose captures the disorienting nature of mourning and the struggle to find meaning in loss.

Writers can learn from Didion’s controlled use of language and structure to convey deep emotion and introspection.

This memoir teaches the art of writing about pain without succumbing to sentimentality, using clarity and reflection to touch readers deeply.

Born a Crime by Trevor Noah

Noah’s memoir of growing up in post-apartheid South Africa provides insight into the complexities of navigating identity in a place where he was literally born a crime. The book is a mix of humor, history, and personal anecdote.

Memoir writers can glean from Noah the skill of balancing light-heartedness with serious social commentary.

His ability to tell stories that are both entertaining and enlightening demonstrates how personal narratives can serve as a powerful lens on societal issues.

Hunger: A Memoir of (My) Body by Roxane Gay

Gay’s memoir is a profound exploration of body image, weight, and the intersectionality of identity and self-worth. Her candid account discusses her relationship with her body, trauma, and the societal expectations of femininity.

This memoir offers lessons in writing about deeply personal and potentially divisive topics with grace and honesty.

Gay’s forthrightness and vulnerability encourage writers to tackle their truths head-on, showing that personal specificity can resonate universally.

4. Examples of memoirs about overcoming adversity

Memoirs of overcoming adversity showcase the human spirit’s resilience in the face of challenges, be they physical, psychological, or societal.

These narratives provide hope and inspiration, demonstrating the power of perseverance and the possibility of triumph through trials.

A Long Way Gone: Memoirs of a Boy Soldier by Ishmael Beah

Beah recounts his harrowing experience as a child soldier in Sierra Leone, offering a poignant testament to the devastations of war and the capacity for healing. His story is a journey from loss and violence to redemption.

Writers can learn from Beah’s straightforward yet evocative storytelling style, which captures the horrors of war without sensationalism.

His memoir is a lesson in the power of narrative to foster understanding and empathy for experiences far removed from most readers’ lives.

The Glass Castle by Jeannette Walls

This memoir provides a raw, unflinching look at Walls’ nomadic, poverty-stricken childhood with her dysfunctional family. It’s a story of resilience in the face of chaos and neglect.

Aspiring memoir writers can learn from Walls’ ability to recount her experiences with honesty and without self-pity.

Her narrative teaches the power of a clear, straightforward storytelling style, proving that the strength of a memoir lies in the truth of its tales, however harsh they may be.

Educated by Tara Westover

Westover’s journey from growing up in a strict, survivalist family in Idaho to earning a PhD from Cambridge University is a compelling exploration of self-transformation and the quest for knowledge.

Writers should note Westover’s skillful handling of complex family dynamics and her journey to education and self-awareness.

The memoir demonstrates how to weave personal growth with broader themes of education and freedom, offering a blueprint for balancing personal narratives with universal questions.

5. Memoir examples focused on tales of career and professional life

Memoirs within the career and professional life category offer insights into the joys, struggles, and lessons learned on the path to professional achievement and personal fulfillment.

These stories inspire by showing the myriad ways one can navigate, succeed, and sometimes falter in their chosen field.

Kitchen Confidential by Anthony Bourdain

Bourdain pulls back the curtain on the culinary world with his candid, no-holds-barred look at his life as a chef. The book is a blend of personal journey and industry exposé, filled with humor, wisdom, and a love for food.

For memoir writers, Bourdain’s unfiltered voice and vivid storytelling are lessons in how to capture the essence of a profession while weaving in personal narratives.

His book demonstrates the power of passion and authenticity in connecting with readers, showing that expertise mixed with personal reflection makes for compelling reading.

Just Kids by Patti Smith

Smith’s memoir chronicles her relationship with photographer Robert Mapplethorpe during their early years in New York City’s art scene. It’s a story of artistic growth, friendship, and the pursuit of creative expression.

Aspiring writers can learn from Smith’s poetic prose and her ability to capture the zeitgeist of a bygone era.

Her memoir exemplifies how personal stories can illuminate broader cultural and artistic movements, offering insights into the creative process and the bonds that fuel artistic innovation.

Shoe Dog by Phil Knight

Knight shares the story of building Nike from a small start-up to a global brand. His memoir is a candid account of the trials, errors, and triumphs encountered in the business world.

Memoir writers can glean insights from Knight’s honest reflection on his journey, showcasing the value of resilience, vision, and innovation.

His narrative teaches the importance of storytelling in entrepreneurship, illustrating how personal and professional experiences can inspire and inform others.

6. Examples of mental health and recovery memoirs

Memoirs in this category delve into personal battles with mental health, offering unvarnished insights into the struggles and triumphs of recovery.

These stories are vital, shedding light on often-stigmatized topics and offering hope and understanding to those facing similar challenges.

The Noonday Demon: An Atlas of Depression by Andrew Solomon

Solomon combines personal narrative with in-depth research to explore the landscape of depression. His book offers both a memoir of his own journey and a broader cultural and scientific examination of the condition.

Writers can learn from Solomon’s meticulous approach to blending personal experience with extensive research.

His work demonstrates how to discuss complex, sensitive topics with empathy and intelligence, making a compelling case for the power of personal stories to illuminate broader societal issues.

An Unquiet Mind by Kay Redfield Jamison

In this memoir, Jamison, a psychologist who specializes in bipolar disorder, shares her own experiences with the condition. Her unique perspective as both clinician and patient provides deep insights into the complexities of living with bipolar disorder.

Aspiring writers can draw inspiration from Jamison’s candid and poetic exploration of her mental health.

Her memoir underscores the importance of vulnerability and honesty in writing about personal struggles, showing how these qualities can foster a deeper connection with readers.

Darkness Visible by William Styron

Styron’s memoir stands as a profound account of his descent into depression and his journey toward recovery. His exploration of the condition is both deeply personal and universally resonant, offering solace and understanding to those affected by mental illness.

From Styron, writers can learn the art of conveying the indescribable aspects of mental health challenges.

His ability to articulate the ineffable experience of depression teaches the value of precise language and metaphor in exploring personal and complex subjects.

7. Family and relationships memoir examples

Memoirs about family and relationships examine the intricate web of connections that shape our lives.

These narratives explore love, loss, and the myriad ways in which our familial bonds and relationships define us.

Fun Home: A Family Tragicomic by Alison Bechdel

Bechdel’s graphic memoir navigates her complex relationship with her father, intertwined with her coming-of-age story and her coming out. The novel’s visual and textual layers add depth to the exploration of family dynamics, identity, and grief.

Memoir writers can learn from Bechdel’s innovative use of the graphic novel format to tell her story.

Her work exemplifies how combining visuals with text can enhance storytelling, offering new ways to engage with readers and delve into personal narratives.

The Year of Magical Thinking by Joan Didion

Didion reflects on the year following the sudden death of her husband, exploring themes of grief, love, and memory. Her precise, stoic prose captures the disorienting nature of mourning and the struggle to find meaning in loss.

Writers can learn from Didion’s controlled use of language and structure to convey deep emotion and introspection.

This memoir teaches the art of writing about pain without succumbing to sentimentality, using clarity and reflection to touch readers deeply.

Running with Scissors by Augusten Burroughs

Burroughs’ memoir of his unconventional and troubled childhood offers a humorous yet poignant look at family life. His vivid storytelling and sharp wit make the book a compelling read despite its dark themes.

Aspiring memoir writers can learn from Burroughs’ ability to blend humor with hardship.

His memoir demonstrates how to use wit as a tool for coping and storytelling, showing that even the most challenging experiences can be explored in ways that resonate with humor and heart.

8. Examples of travel and living abroad memoirs

Memoirs of travel and living abroad capture the thrill of discovering new places and cultures, often reflecting on how these experiences change the author.

These narratives offer readers a passport to distant lands and the internal journeys that accompany physical travel.

Under the Tuscan Sun by Frances Mayes

Mayes’ memoir about renovating a villa in Italy explores themes of home, discovery, and the pleasures of food and culture. Her evocative descriptions of Tuscany and the transformation of her villa mirror the personal growth and renewal she experiences.

Writers can learn from Mayes’ rich, sensory descriptions and her ability to weave personal transformation with a sense of place.

Her memoir exemplifies how setting can be a character in itself, deeply influencing the narrative and the author’s journey.

Eat, Pray, Love by Elizabeth Gilbert

Gilbert’s memoir chronicles her journey across Italy, India, and Indonesia, seeking self-discovery and spiritual fulfillment after a difficult divorce. Her honest and engaging narrative captures the essence of each culture and her path to finding balance and happiness.

Memoir writers can take note of Gilbert’s narrative arc, structured around the physical and emotional landscapes she navigates.

Her book shows how to frame a personal quest within the broader context of travel and exploration, making the journey relatable and inspiring.

The Geography of Bliss by Eric Weiner

Weiner’s memoir is an exploration of happiness across the globe, as he travels to the world’s happiest (and unhappiest) places. His witty, insightful observations provide a unique blend of travelogue and psychological inquiry.

Aspiring writers can learn from Weiner’s use of humor and research to engage readers.

His approach demonstrates how to blend personal narrative with a thematic quest, offering a compelling way to explore big questions through the lens of travel.

9. Examples of memoirs about celebrity and public life

Memoirs from celebrities and public figures pull back the curtain on the glitz and glamour, offering a glimpse into the realities of life in the spotlight.

These narratives explore the complexities of fame, success, and the personal journeys behind public personas.

Becoming by Michelle Obama

In this deeply personal memoir, Michelle Obama chronicles her life from her childhood in Chicago to her years as First Lady of the United States. She shares her triumphs and disappointments, both public and private, with unerring honesty and warmth.

Writers can learn from Obama’s narrative how to blend personal stories with historical and social contexts, creating a rich tapestry that is both intimate and universally appealing.

Her memoir demonstrates the power of authenticity and vulnerability in connecting with a wide audience.

Open by Andre Agassi

Agassi’s memoir is a candid account of his life on and off the tennis court, revealing the struggles and conflicts that accompanied his career. It’s a story of transformation and perseverance, offering insights into the pressures of professional sports.

Memoir writers can take away Agassi’s ability to confront his past with brutal honesty and reflect on his personal and professional growth.

His narrative shows the importance of introspection and the courage to change, providing a compelling model for writing about personal evolution.

Just as I Am by Cicely Tyson

Tyson’s memoir offers a sweeping view of her life and career, breaking ground as a Black actress in Hollywood and using her platform to advocate for racial justice. Her story is a testament to resilience, talent, and the power of living one’s truth.

From Tyson, writers can learn the art of intertwining personal achievements with broader social movements.

Her memoir exemplifies how to tell a personal story that is deeply entwined with cultural and historical milestones, inspiring writers to explore the intersection of individual and collective narratives.

10. Historical and political events memoir examples

Memoirs that intersect with historical and political events provide a personal lens on the moments that shape our world.

These stories offer a unique perspective on history, told through the eyes of those who lived through significant events.

Night by Elie Wiesel

Wiesel’s memoir of his experience with his father in the Nazi German concentration camps at Auschwitz and Buchenwald in 1944–1945, at the height of the Holocaust, is a poignant exploration of faith, humanity, and survival.

Writers can learn from Wiesel’s use of stark, simple language to convey profound truths about the human condition.

His memoir teaches the importance of bearing witness and the power of memory to honor those who were lost and to educate future generations.

I Know Why the Caged Bird Sings by Maya Angelou

Angelou’s memoir captures her childhood and adolescent years, facing racism and trauma in the American South. It’s a story of overcoming adversity and finding one’s voice against all odds.

Memoir writers can draw inspiration from Angelou’s lyrical prose and her ability to find strength and beauty in the face of hardship.

Her narrative demonstrates how personal stories can illuminate the broader struggles and triumphs of a community, encouraging writers to delve deep into their own experiences to find universal resonance.

Long Walk to Freedom by Nelson Mandela

Mandela’s autobiography chronicles his journey from his early years in a rural village to his inauguration as the first democratically elected President of South Africa. It’s a tale of resilience, leadership, and the fight for freedom.

Writers can learn from Mandela’s detailed recounting of his personal and political struggles, showing how to weave a compelling narrative that combines personal reflection with historical significance.

His memoir is a masterclass in writing about the intersection of personal life with larger political movements and ideals.

11. Examples of science and innovation memoirs

Memoirs in the realm of science and innovation offer insights into the minds of those who have pushed the boundaries of knowledge and technology.

These narratives explore the passion, curiosity, and challenges of pioneering new frontiers.

The Double Helix by James D. Watson

Watson’s account of the discovery of the DNA structure provides a behind-the-scenes look at scientific discovery, complete with the personal and professional dynamics that influenced the work. It’s a candid and sometimes controversial look at the process of scientific innovation.

Writers can learn from Watson’s engaging narrative style and his ability to make complex scientific concepts accessible and compelling.

His memoir encourages aspiring writers to find the human story within the scientific endeavor, highlighting the importance of persistence, creativity, and collaboration.

Silent Spring by Rachel Carson

Though more an environmental science book than a traditional memoir, Carson’s work interweaves personal observation with scientific analysis, sparking the environmental movement. Her powerful advocacy for the natural world changed public perception and policy regarding pesticide use.

Writers can take from Carson’s example the power of combining personal passion with research to advocate for change.

Her work demonstrates how writing can be a tool for raising awareness and inspiring action, urging memoir writers to consider the impact their stories can have on the world.

Surely You’re Joking, Mr. Feynman! by Richard P. Feynman

Feynman’s collection of anecdotes offers a glimpse into the life of the Nobel Prize-winning physicist, known for his brilliant mind and playful spirit. His stories reveal the curiosity and joy that drove his scientific exploration.

From Feynman, writers can learn the importance of infusing narratives with personality and humor, making even the most complex topics engaging and relatable.

His memoir shows that at the heart of innovation lies not just intellect but a profound sense of wonder and an ability to see the world differently.

Are you ready to apply lessons from these memoir examples to your own book?

Each of the memoir examples you’ve encountered holds lessons in resilience, insight, and the art of weaving personal truths into compelling tales. Now, armed with inspiration and insight from the masters, it’s time to tell your story.

Embrace the challenge of memoir writing with honesty and courage.

Your experiences, perspectives, and voice are unique treasures waiting to be shared.

Whether it unfolds in the quiet corners of introspection or the wide landscapes of extraordinary experiences, your story deserves to be told.

Start writing today. Let the wisdom gleaned from these memoirs guide you, but let your voice lead the way.

The world is waiting for your story.

In the ever-evolving genres of fiction, slipstream emerges as a genre that defies the traditional boundaries of storytelling, offering a unique blend of the real and the surreal. 

This genre, sitting at the crossroads of speculative fiction and literary fiction, challenges our perceptions of reality, inviting readers and writers alike into a world where the ordinary becomes extraordinary. 

If you’re intrigued by the idea of crafting narratives that transcend conventional genres, slipstream fiction may be the creative avenue you’ve been searching for. 

This article is your comprehensive guide to understanding, appreciating, and ultimately writing slipstream fiction that captivates and resonates.

What is slipstream fiction?

Slipstream fiction is a genre that thrives on ambiguity, challenging both writers and readers to explore the spaces between the known and the unknown. 

Let’s dive into the core aspects that define this intriguing genre.

Our slipstream fiction definition 

Slipstream fiction is notoriously difficult to pin down with a single definition, but at its core, it represents a narrative that straddles the line between the speculative and the literary, often blurring the boundaries of reality and the fantastic. 

This genre is not just about fantastical elements or futuristic settings; it’s about invoking a sense of wonder, unease, or the uncanny through stories that feel both familiar and deeply strange. 

Slipstream challenges our everyday understanding of reality, pushing readers to question what they know about the world around them. 

It is this unique blend of the real and the surreal that sets slipstream apart from more conventional genres, making it a fascinating field for writers who want to explore the depths of human experience in novel ways.

What are the key characteristics of Slipstream fiction?

Before we delve into the characteristics that define slipstream fiction, it’s important to understand that these traits work together to create a distinctive reading experience that defies easy categorization. 

Here are the seven most important characteristics of slipstream fiction:

1. Ambiguity: Stories often leave more questions than answers, challenging readers to find their interpretations.
2. Cognitive dissonance: The narrative may combine elements that traditionally don’t coexist, creating a sense of unease or perplexity.
3. Surreal atmosphere: The setting or events have an otherworldly quality, even if rooted in the familiar.
4. Emotional resonance: Despite the fantastical elements, the core of slipstream fiction lies in its ability to evoke deep emotional responses.
5. Intellectual stimulation: These narratives encourage readers to think deeply about themes, ideas, and the nature of reality itself.
6. Genre blending: Slipstream fiction often incorporates elements from various genres, refusing to be boxed into a single category.
7. Metafictional elements: There’s often a self-awareness within the narrative, playing with literary conventions and reader expectations.

Keep in mind that slipstream fiction is by its nature a genre that blends elements and influences from a wide range of sources.

As a result, feel free to use or ignore whichever characteristics of slipstream depending on what your story requires.

How has Slipstream fiction evolved?

The roots of slipstream fiction can be traced back to the works of authors who dared to push the boundaries of narrative storytelling, such as Franz Kafka and Jorge Luis Borges. 

These pioneers laid the groundwork for a genre that would evolve to encapsulate a wide range of themes, from the existential to the metaphysical. 

Over the decades, slipstream has grown from a niche interest into a significant movement that challenges the conventions of mainstream literature. 

Its evolution reflects a growing desire among writers and readers for stories that offer more than just escape or entertainment; they seek narratives that offer a mirror to the complexity and ambiguity of the human condition. 

In the contemporary literary landscape, slipstream fiction continues to evolve, influenced by both the rapidly changing world around us and the endless possibilities of the human imagination.

Slipstream fiction examples

To truly grasp the essence and diversity of slipstream fiction, examining both its foundational works and contemporary examples is invaluable. 

These stories illuminate the genre’s defining characteristics and showcase the myriad ways authors can navigate its complex terrain.

What are some classic examples of slipstream fiction?

The foundations of slipstream fiction are often traced back to the literary giants who blended the surreal with the mundane, crafting narratives that defy straightforward interpretation.

Franz Kafka’s “The Metamorphosis”

Kafka’s story a seminal work that exemplifies slipstream’s essence, with its story of a man who inexplicably transforms into an insect, challenging readers to find meaning amidst absurdity. 

Jorge Luis Borges’ collection “Ficciones”

Ficciones is another slipstream cornerstone, weaving intricate tales of labyrinths, mirrors, and infinite libraries that question the nature of reality and fiction. 

These classic examples not only highlight the genre’s roots in the surreal and the speculative but also demonstrate how slipstream can offer profound insights into the human condition through its unique narrative approach.

What are examples of contemporary slipstream fiction?

Contemporary slipstream fiction continues to explore the boundaries between the real and the unreal, providing readers with immersive and thought-provoking experiences.

“The Night Circus” by Erin Morgenstern

Morgenstern’s tale is a dazzling foray into a magical competition between two young illusionists, set within a wandering, fantastical circus that opens only at night. Morgenstern’s novel captivates with its rich, atmospheric storytelling and intricate plot, showcasing slipstream’s potential to blend magical realism with deep emotional resonance.

“Station Eleven” by Emily St. John Mandel

Station Eleven presents a post-apocalyptic vision that intertwines the lives of a traveling Shakespearean theater troupe with the interconnected stories of individuals surviving a global pandemic. Mandel’s work exemplifies slipstream through its exploration of art, memory, and survival in a world where reality has shifted beyond recognition.

“Cloud Atlas” by David Mitchell 

Mitchell’s classic stretches across time and space, linking disparate narratives from the 19th century South Pacific to a distant, post-apocalyptic future.

Cloud Atlas is a masterclass in genre blending, each story echoing themes of connection, power, and the nature of humanity, embodying the slipstream genre’s capacity for intellectual depth and speculative scope.

The diversity of contemporary slipstream fiction is proof that you have the creative freedom to add your own unique take on the genre,

How to write slipstream fiction – full step-by-step guide 

Writing slipstream fiction is a journey into the unknown, requiring not only creativity but a willingness to explore the edges of reality and imagination. 

This section will guide you through the process of crafting your own slipstream narratives, from initial inspiration to final revision.

Step 1: Finding inspiration 

To write a truly compelling tale of slipstream fiction, you first need to immerse yourself in unconventional sources of inspiration.

• Seek unusual sources of inspiration

Look beyond the ordinary for inspiration. Explore dreams, myths, and philosophical questions.

Real-world absurdities and scientific wonders can also spark ideas for your story.

• Blend and bend realities

Combine elements from daily life with speculative or surreal twists.

The juxtaposition of the mundane with the extraordinary can create the uncanny atmosphere characteristic of slipstream.

Step 2: Building your slipstream world

One of the joys of reading slipstream fiction is the chance to get immersed in a world far different to our own.

But how do you build such a world?

• Choose your setting

Your world should feel grounded in reality yet permeated with elements of the surreal or speculative.

Consider how the laws of nature or society might differ in subtle, unsettling ways.

• Building your slipstream world

Infuse the familiar with anomalies that challenge perception and conventional expectations.

Use sensory details to create an immersive experience that feels both real and otherworldly.

Step 3: Creating complex slipstream characters

The otherworldly nature of slipstream fiction is essential to the genre, but that doesn’t mean you should treat your characters as an afterthought.

Consider these tips on on how to create characters that will resonate with slipstream fans.

• Develop your characters

Slipstream characters often grapple with the strange realities of their world. Develop characters with rich internal lives, whose personal journeys reflect the thematic concerns of the narrative.

• Challenge character dynamics

Place characters in situations that test their perceptions of reality.

Explore how they respond to the slipstream elements of the story, providing a human anchor to the surreal aspects.

Step 4: Constructing a non-traditional plot

Like every other element of slipstream, you have considerable liberty when it comes to plotting your book.

Make the most of this creative freedom with these tips.

• Experiment with narrative structure

While traditional narrative structures can be a starting point, consider bending or breaking these forms to suit the slipstream nature of your story.

• Plot development ideas

Employ non-linear storytelling, flashbacks, or multiple perspectives to reflect the fragmented or fluid nature of reality in your narrative.

Focus on the emotional or philosophical journey rather than solely on external events.

Step 5: Crafting the slipstream aesthetic

You can align all the elements of your fiction story with slipstream conventions, but they won’t be effective unless conveyed with suitable language.

Make sure to use craft aligned with the philosophy of slipstream by following these ideas.

• Leverage language and style

The way you tell your story is as important as the story itself. Use language to evoke the surreal, blending poetic imagery with sharp, unexpected contrasts.

• Techniques for maintaining ambiguity

Leave room for interpretation, offering clues rather than clear answers.

Balance the strange with the familiar to keep readers grounded yet intrigued.

By embracing the genre’s inherent ambiguity and blending reality with the speculative, you can create narratives that challenge, captivate, and resonate with readers on a deeply emotional and intellectual level.

How to overcome challenges when writing slipstream

Navigating the slipstream genre presents a unique set of challenges, from maintaining the delicate balance between the real and the surreal to ensuring your narrative remains engaging and coherent. 

This section offers strategies for tackling these hurdles, ensuring your slipstream fiction is both profound and captivating.

What are common challenges in writing slipstream fiction?

One of the most daunting challenges in writing slipstream fiction is maintaining the right balance between ambiguity and coherence. 

Writers must navigate the fine line where their narrative is neither too abstract, which risks alienating readers, nor too explicit, which may undermine the surreal quality that defines slipstream. 

This delicate equilibrium requires a deep understanding of your story’s themes and a careful crafting of plot and character that allows readers to immerse themselves in your world while encouraging them to explore its mysteries. 

Effective slipstream writing invites readers into a narrative that feels both familiar and unsettling, engaging them in a dance of discovery where not every step is predetermined.

How can writers master slipstream fiction?

Excelling in slipstream fiction requires innovative strategies that go beyond the conventional approaches of genre writing. 

Here are seven key strategies to enhance your slipstream stories.

1. Embrace the unpredictable

Let your narrative flow in unexpected directions, allowing for spontaneous creativity that can surprise both you and your readers.

2. Experiment with form and structure

Play with different narrative forms, such as epistolary formats, diary entries, or fragmented narratives, to reflect the slipstream’s essence.

3. Focus on the emotional core

Ensure that, despite the surreal elements, your story has a strong emotional core that readers can connect with.

4. Leverage symbolism and metaphor

Use symbolic elements and metaphors to deepen the narrative’s layers and enhance the surreal quality of your story.

5. Cultivate a sense of mystery

Build a narrative that invites readers to ponder and speculate, rather than offering them all the answers upfront.

6. Reflect on the human condition

Use the slipstream elements to explore deeper philosophical or existential questions, grounding the surreal in human experiences.

7. Engage with reader perceptions

Challenge readers’ perceptions and expectations, encouraging them to question not just your narrative but their reality.

Are you ready to write your own work of slipstream fiction?

Slipstream fiction offers a unique canvas for writers to explore the boundaries of reality, narrative, and imagination. 

This genre, with its blend of the speculative and the literary, invites you to transcend conventional storytelling, crafting worlds that resonate with the profound and the perplexing. 

Armed with the insights and strategies outlined in this guide, you are now equipped to embark on your own slipstream writing journey. 

Remember, the essence of slipstream lies in its ability to surprise and defy expectations—so let your creativity flow unbounded. 

Embrace the challenge, experiment boldly, and become a pioneer in the uncharted territories of slipstream fiction. 

Your readers are waiting to be transported to worlds only you can envision.

As for your host on today’s article, I’m a full-time book editor, author and ghostwriter.

I’ve written, coauthored, or ghostwritten eight books and have edited dozens more. I’m well-versed in self-publishing, and I’ve helped a handful of clients craft proposals for traditional publishing, one of which was picked up at the tail end of 2016.

In other words, I’m in the trenches every working day.

Through this column, I hope you’ll learn what I wish I would have known about editing and editors when I first became serious about writing as a business.

To that end, let’s get to what may be the most pressing topic for a new author seeking to self-publish.

How to find an editor

You could search the Internet for “editor,” “book editor,” or “Help, I need an editor ASAP,” but you will be overwhelmed with choices.

Even that last search phrase has more than 200,000 hits, and most of those seem to be video editors. So how are you supposed to find the right editor for your book?

Try each of these steps until you find one that nets you at least a few good leads.

1. Seek referrals from other writers

The best advertising for an editor is a satisfied client.

Talk with your fellow writers, whether online or in real life, and ask who they recommend.

However, you may encounter a Catch-22: better editors’ schedules may be packed, and you may not want to wait a few months for them even to begin working on your book.

That’s when you proceed to Step 2.

2. Seek referrals from that referral

If your writer friend has provided a glowing review of his or her editor, but that editor doesn’t have room for you in their schedule (or they don’t provide the specific kind of editing you need), kindly and quickly ask that editor for a referral to another editor.

Most experienced editors have professional connections they’ll be more than happy to leverage in order to help a writer.

But what if you don’t have any writer friends who’ve used an editor?

3. Check pre-vetted lists

Instead of searching the entire Internet for an editor, consider these sites that have already compiled lists of qualified, capable editors:

• Self-Publishing School Recommended Book Production Partners: You do need to be a customer of theirs to access this list. But these are some of the best around.
• “Need a Good Book Editor? Top Recommendations”: As an editor herself, and after being asked far too often for editorial recommendations, author K. M. Weiland created this list based on writing experts whose opinions she trusts.
• The Editorial Freelancers Association: In addition to searching its directory, you may also submit your editing need for free, but be warned: you might receive dozens or even hundreds of replies.

Whether you use these sites or other compilations, be sure to read up on how a list was curated.

Did the editor have to pay to be listed? (The EFA requires a yearly subscription.) Did someone else have to vouch for their work in order to be added? (Other writers vouched for editors on K. M. Weiland’s list.) Could they simply add themselves? (Fiverr, Upwork, etc.)

Always conduct due diligence.

4. Utilise Social Media

Social media platforms like Twitter, LinkedIn, and Facebook offer invaluable resources for you when seeking an editor. Within these platforms, there are numerous groups and communities dedicated to writing, editing, and publishing.

You can join these groups to network with fellow authors and editors, share experiences, ask for recommendations, and even find editors directly advertising their services.

By engaging with these online communities, writers can tap into a vast pool of editorial talent and connect with professionals who can help refine their work to its fullest potential.

5. Professional Organizations

Professional organizations such as the American Society of Journalists and Authors (ASJA) or the Chartered Institute of Editing and Proofreading (CIEP) serve as invaluable resources for you when seeking an editor.

These organizations typically have directories or databases of experienced editors available for hire, along with resources and guidelines to help writers navigate the editing process effectively.

By joining such organizations, you can gain access to a network of reputable professionals who can provide expert editorial services tailored to your specific needs.

Additionally, these organizations often offer workshops, conferences, and other events where you can further develop their skills and connections within the editing community.

6. Writer’s Conferences 

Writer’s conferences, such as the Association of Writers & Writing Programs (AWP) conference, offer fertile ground when seeking editors.

These events attract a diverse array of literary professionals, including editors from publishing houses, literary magazines, and freelance backgrounds. When attending these conferences, you can seize the opportunity to network with editors during panel discussions, workshops, and networking events.

Many editors participate as speakers or panelists, providing valuable insights into the editing process and offering opportunities for one-on-one interactions.

By engaging with editors at writer’s conferences, you will be able to forge meaningful connections, pitch work, and potentially secure editorial partnerships to enhance the quality of your writing projects.

7. Local Writing Groups

Local writing groups serve as excellent resources for writers in search of editors.

These groups often consist of passionate writers who are eager to support one another in their writing endeavors. Within these communities, writers can often find members who have experience working with editors or can provide recommendations based on their own experiences.

Additionally, writing groups may host events or workshops focused on the editing process, where writers can learn more about finding and working with editors effectively.

By participating in local writing groups, writers not only gain access to potential editors but also foster connections with fellow writers who can offer valuable insights and support throughout the editing journey.

8. Literary Magazines and Journals

Literary magazines and journals are valuable resources for writers seeking editors to refine their work. Many of these publications offer editing services or can connect writers with experienced editors in their network.

For instance, “The Paris Review” provides editorial services for writers looking to polish their manuscripts before submission. Similarly, “Granta” offers manuscript consultations where writers can receive feedback and guidance from experienced editors.

These opportunities not only help writers improve their work but also provide valuable networking connections within the literary community.

Additionally, some literary magazines like “Poets & Writers” maintain directories of editors, making it easier for writers to find the right editorial support for their projects. By engaging with literary magazines, writers can access a wealth of editorial expertise to elevate their writing to the next level.

9. University Writing Centers

University writing centers provide great opportunities for writers when seeking editing assistance. These centers typically employ trained writing tutors who can provide feedback on drafts, assist with grammar and style, and offer guidance on the editing process.

For example, the writing center at Harvard University offers one-on-one consultations where writers can receive personalized feedback on their writing projects. Similarly, the University of California, Berkeley’s writing center provides online resources and workshops to support writers at all stages of the writing process.

By utilizing university writing centers, writers can access expert editorial support and improve their writing skills in a collaborative and supportive environment.

10. Online Forums and Communities 

Online forums and communities, such as Reddit’s r/writing, serve as vibrant hubs for writers seeking editors. These platforms provide spaces for writers to connect with editors, exchange feedback, and share resources.

For instance, the subreddit r/HireAnEditor offers a platform for writers to post job listings and connect with freelance editors for various projects.

Additionally, forums like Absolute Write and WritingForums.org host sections dedicated to editor recommendations and services.

By engaging with online writing communities, writers can tap into a diverse pool of editorial talent, receive valuable feedback on their work, and establish professional relationships that enhance the quality of their writing projects.

11. Self Publishing Platforms

Self-publishing platforms like Amazon’s Kindle Direct Publishing (KDP) or IngramSpark are other viable avenues for writers seeking editing services.

These platforms often offer editing packages or connect writers with professional editors who specialize in their genre.

For example, KDP’s Author Services provides editing options ranging from basic proofreading to comprehensive editing services. Similarly, IngramSpark offers access to Ingram’s network of professional editors who can assist writers with refining their manuscripts.

By utilizing self-publishing platforms, writers can access affordable and reliable editing services to ensure their work is polished and ready for publication.

How to vet an editor

After discovering a handful of editors who seem like a good fit, you’ll want to spend more time ensuring that they’re the right person for you and your book.

After all, you’ll be closely working with them on something that’s likely very close to you.

By investing time up front to find the best candidate, you may just succeed in landing a great editor on your first try, saving you the hassle of further back-and-forth emails with more editors.

Vetting an editor can be as simple as two steps, though each of these steps could require a fair amount of work on your part.

1. Do your research

Before contacting an editor, comb through your prospective editor’s website.

Carefully read about the kinds of editing they offer. Browse through the books they’ve edited. Read their endorsements.

If you’re really intent on learning about what it’s like to work with that particular editor, consider reaching out to one of that editor’s clients. Find the editor on social media to see what he or she is like apart from their writing work. Conduct a search with just the editor’s name to see what the rest of the web may say about them.

2. Ask specific questions

Don’t waste your time (or theirs) to discover information that’s already online.

Do as much homework as you can before contacting an editor by email or phone. However, you will undoubtedly have specific questions that can only be answered by contacting your prospective editor.

Here’s a list to help you think through what you ought to know about your editor before contracting to work with him or her:

• What types of editing do you offer?
• How much do you charge?
• How long have you been editing?
• Can you put me in touch with other clients you’ve worked with?
• What experience do you have in [insert your genre]?
• What’s your process in working with writers?
• What software do you use to edit?
• Will you send me a contract before work commences?
• Can we schedule a face-to-face meeting [or Zoom] prior to beginning work together?
• How often (and how) will you be in contact with me during the editing process?
• Do you offer a sample edit?
• When is payment due?
• What are my options for payment?
• Will you be nice to me?

For more questions for your editor, check out this article. Despite what they may do to your manuscript, most editors I know actually are nice people.

They love to read as much as you do, and their goal for your book is the same as your goal for your book: to make it the best it can be with the time and resources allowed to them.

Finding the right editor for your book can be challenging, but if you approach it from a professional mindset and follow the suggestions in this article, you should be able to find someone who can make your book shine.

May your search for an editor be short and successful.

Have you worked with an editor before? Share your experiences in the comments below.

A Note To Our Readers: Here at The Write Life, our reviews are meant to be unbiased. In full transparency, we are part of the Self-Publishing School platform, a company dedicated to changing lives through books. That said, this review was written before that acquisition, and has only been updated in terms of pricing and deliverables. The author’s original opinions have not been changed. 

Product Name

Self-Publishing School

About the Founder of Self-Publishing School

Chandler Bolt is an entrepreneur who has dabbled in running his own businesses since he was young. Since he released his first book, The Productive Person, his self-publishing success kicked off, culminating in the release of Published and the creation of his company, Self-Publishing School and selfpublishing.com.

Cost for Self-Publishing School’s Programs

Most products, which include 1:1 coaching, group coaching, done-for-you services, and online curriculum, retail for $8,000. Bundling products reduces the price. You can learn more about their products here.

Who It’s For

Self-Publishing School is for anyone who wants to write and publish their own books and learn how to launch a book to be an Amazon Kindle bestseller. The entry-level program has three writing streams, one for non-fiction writers, one for fiction writers, and one for children’s book writers. This works for business builders or career authors.

What It Will Help You Accomplish

This comprehensive program will take you through each step of self-publishing your book.

First, it will teach you a replicable process for writing and publishing books.

The program is broken up into three main phases so you can follow the entire process from start to finish: writing, book production, and launching. Rinse and repeat for as many books as you want to write.

The team and curriculum will show you how to turn an idea into outline and then into a written book, right through to working with an editor, having your cover designed and converting your book to a Kindle-ready (and paperback) format. You’ll also learn how to build authority in your niche or connect with your readers.

Second, it will help you build a network of fellow authors and supporters.

The Self-Publishing School Mastermind Community is active and full of good vibes and encouragement. Many authors have claimed this is the best author community on the internet, and when you join, you have access to 2,500+ members with multiple opportunities to connect, network, and collaborate via Author Connects, Group Coaching Calls, and community events like Author Advantage Live. 

Third, the team will help you navigate the toughest parts of book production by taking care of certain author services for you.

This including cover design, formatting, and more. (You can see the full list of services here.) This will make the process easier on you and take a lot of the stress off your shoulders. 

What’s Included in Self-Publishing School

• Community: Inside Self-Publishing School, you’ll be connected with like-minded writers and develop your new built-in network of people who will support you every step of the way. While you might be alone in your writing, you won’t be alone in the self-publishing process
• Coaching: One of the first things you’ll do when joining Self-Publishing School is get a personal coach. You also have access to group coaching calls multiple days each week for your specific program
• Online Curriculum: You’ll have access to the online training which includes videos, transcripts, PDF checklists, templates, and more
• Done-For-You Services: Their team will handle book production services for you, like cover design, formatting, and more
• Weekly Community Calls: Chandler Bolt and other Self-Publishing School team members host a community call one day each week

The Best Part about Self-Publishing School

When you enroll at the top level, which I did, you’ll be assigned a coach, someone to chat with throughout the process and get direct feedback from about your book project. This includes a one-hour clarity call, multiple 30-minute coaching calls, and unlimited email support with the team.

I was lucky enough to work with Chandler Bolt directly. He suggested ways to improve my book, helped refine my title and connect me with the right outsourcers for my project. While he doesn’t do 1:1 coaching any more, all of his coaches are highly trained and bestselling authors themselves, so you’ll be working with someone you can trust that knows what they’re doing.

Within two months of joining Self-Publishing School, I was able to publish my book and I credit a lot of this to the fact I had direct access to someone who could answer my questions when needed.

The other great part about Self-Publishing School is the community. But I’ve already told you enough about that.

What Would Make It Even Better

There are a lot of technical aspects involved in self-publishing a book and some of that is glossed over inside the curriculum, leaving each student to figure out those aspects. If you’re not technically minded, it can be quite overwhelming, particularly once you get to the publishing and marketing side of things. But they do have tech support calls for their customers and if you know how to Google to find your answers, then this challenge can easily be overcome.

How Self-Publishing School Changed My Life

When I joined Self-Publishing School in July 2014, I was a full-time freelance writer with a solid base of clients. I had only recently just started looking to diversify and felt that writing and publishing a book would be a nice segue to earning passive income.

Fast forward two months into the program: I had written and launched my first book, No Gym Needed: Quick and Simple Workouts for Gals on the Go. It became a number-one bestseller on Amazon within three days of launching.

After this success, I knew that I could scale and decided to release the next book two weeks later, which was the men’s version of the first title. That first book earned $800+ in royalties in the first month and now earns me over $1000+ per month (just one book!). Since July 2014, I have written and published 26 books and am now a full-time author and author coach.

I “fired” my last full-time freelance client in early 2015 and haven’t looked back. I earn between $3,000 and $4,000 per month just from my books and have more than 30 books mapped out for the next few years.

Our Recommendation

Self-Publishing School is one of the most comprehensive programs available on how to write, publish, and launch a book to bestseller status on Amazon. I would recommend it to anyone looking to write a book.

Be prepared to put in extra time to learn about the technical aspects of self-publishing and you’ll find the process goes a lot smoother.

You can grab a free copy of Chandler’s book below.

Unless you prefer your friends to be story nerds or those who lean toward obsessive-compulsive tendencies when it comes to grammar, you shouldn’t necessarily seek to befriend your editor.

However, you should seek to do everything in your power to be a professional friend of your editor. One of the simplest ways to do that, which too many authors fail to consider, is formatting.

Why Formatting is Important

When you skip over the basics of how your manuscript is formatted, you’re subconsciously showing a lack of respect for your craft (and your editor). If you send a poorly formatted manuscript to your editor, they very likely won’t say anything, but I can promise you that they’re thinking one of two things.

1. I can hardly read this manuscript
2. I’m wasting my time reformatting this manuscript

In these instances, an editor will either edit your manuscript as-is or spend the time you’re paying them for to do the work you could have (and should have) done yourself.

But once you incorporate the standardized basics of formatting a manuscript in preparation for your editor, you’ll see that it will save both you and your editor a lot of time and frustration.

How to Format Your Book

While this article attempts to offer standardized recommendations, some editors, literary agents or publishing houses may have their own formatting stipulations. Always be sure to scan websites for that information, and when in doubt, ask.

The following formatting recommendations hold true for both fiction and nonfiction manuscripts in the United States. Any accepted variations are noted, and comments are appreciated with regard to differences for international markets.

Here’s what’s expected for a standard manuscript format.

1. Use black, 12-point, Times New Roman as the font

Yes, Times New Roman is boring, but it’s essentially on every computer ever made.

Don’t use a cool font for effect. Save that for your book’s interior design, which comes much later after the editing process.

Font trivia: Times New Roman is no longer used by The Times.

2. Use the U.S. standard page size of 8.5×11 inches and set your margins to 1 inch on all sides

Starting a new document in Word defaults to these parameters, but if you’re exporting to Word from your word processor of choice, double-check the output to ensure your page size and margins are correct.

To set page size in Word, go to File>Page Setup and look at the drop-down menu for Page Size.

To set margins in Word, go to Format>Document.

3. Set alignment to left justified

Left justified text is also known as ragged right text. The text will align itself along its left side, leaving its right side nonuniform (unjustified).

To set alignment in Word, select all of your text, then click the left justification icon in the Home tab or select Format>Paragraph and choose “Left” in the Alignment drop-down box.

4. Use a single space after periods

If you were trained to type two spaces after a period, retrain yourself.

In the digital age, use a single space. (For why, see “Space Invaders.”)

Tip: if your manuscript has two spaces after a period, use your word processor’s Find and Replace tool. Type two spaces into “Find” and one space into “Replace” then hit “Replace All” with reckless, typing-teacher-be-damned abandon.

5. Use double-spaced line spacing

This may be the greatest help to your editor.

You want to ensure they see your every last word, so give your words room to breathe on the page.

Tip: if you’ve already written your book with different line spacing, select all of your text in Word, click Format>Paragraph, then select “Double” in the drop-down box under “Line spacing.”

6. Indent all paragraphs by .5 inches, and don’t hit tab or space to indent

This may be every editor’s pet peeve. Setting tabs and hitting tab aren’t the same thing.

If you’re a tab-hitter or space-space-space-space-spacer, select all of your text in Word, then set indentation using Format>Paragraph. Under “Indentation” and by “Left,” type .5. under “Special,” then choose “First line” from the drop-down menu.

Note: Generally, the first paragraph of any chapter, after a subhead, or following a bulleted or numbered list isn’t indented.

7. Format paragraphs according to genre standards

Fiction authors should use indented paragraphs without full paragraph breaks. Nonfiction authors may opt for no indentation so long as paragraphs are separated by a full paragraph break.

Tip: Crack open a book in your genre to see what the paragraphing conventions are, then emulate.

8. Use page breaks

To begin a new chapter, don’t just keep hitting return until you create a new page. Rather, use page breaks.

In Word, place the cursor at the end of a chapter, then click “Insert>Break>Page Break” in Word’s top menu.

9. Number your pages

Don’t begin numbering on your title page. Rather, begin numbering on the page your story begins.

To place page numbers in Word, double-click within the header area of the page on which your story begins and click “Insert > Page Numbers,” then select your preferred options. Choose to place your page numbers at the top left of the page.

10. Send your manuscript as one Word document (.doc /.docx)

You don’t have to compose your masterpiece in Word, but because Word’s “Track Changes” feature is still the de facto editing tool of choice, your editor will appreciate receiving a Word file.

And whatever you do, never send your editor individual chapters as separate files.

Alternate Option: Use Software to Help Learn How to Format a Book

While you can do most of these steps in Microsoft Word or Google Docs while writing your manuscript, when it comes time to turn it into a format that is used in the marketplaces, you’ll probably want specialized book formatting software. This kind of software can help you with both ebooks and paperbacks.

While there are a number of options out there, one of the best is Atticus. It will help you produce professional-looking books easily, with no technical background. Plus, with all of its features, you can customize your book and make it truly unique.

What to do next

These 10 easy-to-follow steps will put you on your editor’s good side. While each of these issues typically doesn’t take too much time to rectify, the problems are compounded when an editor has to fix more than a few.

Want more help formatting your book? Check out this related article on “Book Format: 7 Common Mistakes & How to Avoid Them.”

Just remember, when an editor receives a well-formatted manuscript, they can immediately begin the work that you’re actually paying them to do: editing!

This is an updated version of a story that was previously published. We update our posts as often as possible to ensure they’re useful for our readers.

Photo via Chinnapong/Shutterstock

If you prefer writing outlines and drafts by hand, you may have experienced a writer’s callus before. Also known as nerd bump or writer’s bump, these calluses are caused by repeated use of a writing utensil.

Disclaimer: This is a writing blog and we do not offer professional medical advice. If you’re dealing with writer’s callus or some other condition please consult your doctor for the best course of treatment.

What is a Writer’s Callus?

According to Healthline, “writer’s callus is an area of accumulated dead skin cells that form as a result of repeated friction against your finger.” If you primarily type rather than use a pen or pencil, this type of callus may not be a problem. However, if you do find yourself writing longform for stretches of time, then this is something to watch for! 

Think of a writer’s callus as similar to a blister forming on your foot after wearing new shoes for a while. Your skin isn’t used to the friction and as a protection measure, your body forms a blister. A writer’s callus forms on your hand for the same reason—your body is protecting that part of your hand from damage by forming a bump.

Where Can Writer’s Calluses Occur?

Musicians who play stringed instruments often experience calluses on their hands. Guitarists and violinists frequently build calluses where their fingers press against the strings.

If you engage in strength training, you can probably feel the calluses on the soft skin on the underside of your knuckles where you regularly grip your weights. 

A writer’s callus can occur on your hand wherever your writing utensil rubs repeatedly. Where the callus appears depends on how you hold your writing utensil. Some people hold their pen or pencil between their index and middle finger while others rest it against their ring finger.

How to Prevent a Writer’s Callus

There are many ways you can work to prevent a writer’s callus before it starts. Here are a few common suggestions to try.

Wear Gloves While Writing

Lightweight cotton gloves add a layer between your pen and your hand, reducing the friction created from writing. People often wear gloves while raking leaves or lifting weights for this reason, so why not try it for writing as well?

Take Short Breaks

Short breaks are helpful for many reasons, and one reason is it gives your hands a break. While it’s easy to get into the zone and not want to break the spell, it’s a good idea to take regular breaks to move around, stretch, refill your drink, and then get back to work. 

Treat Writing Like a Job

If you don’t yet write full time, try to treat it as if you do. Think about how a day job works—you have regular breaks scheduled throughout the shift, a lunch break, and a quitting time. There’s space between working and not working. There are two full days off each week. Having a schedule for writing (with planned breaks and time off) can also help in preventing calluses from forming.  

Set Aside Your Favorite Pen

Drastic, I know. Most of us have a favorite writing utensil. Whether it’s a pen we think makes our handwriting look better, or a type of ink that doesn’t smear (I’m talking to you, lefties!), writers are notorious for keeping favorites close. However, switching up the type of pen you’re using to write throughout the day can actually help slow or prevent the form of calluses.  Just something to consider.

Mix it Up

If you’re on deadline or have high daily word count goals, then it may be prudent to plan for many writing methods. For example, plan to write freehand for your first block of writing, use speak-to-text software for your second block, typing into a computer for your third block, etc.

I Have a Writer’s Callus, Now What?

Once you have a callus, there are a few things you can do to treat it according to the American Academy of Dermatology Association.

• Soak in warm water 
• File with a pumice stone
• Moisturize

Keep in mind that your callus has formed because your body is trying to protect the skin underneath it from the pressure of your pen. If you are going to continue writing by hand then you may want to keep the callus until you’re ready to take a longer break. 

I say, if you have a writer’s callus then wear it as a badge of honor! It shows that you’re dedicated to your craft.

Commitment to a dream is often the difference between seeing that dream come to fruition, or watching that dream remain dormant. If it takes a few calluses to push your dream into reality, it’s well worth it.

Happy writing, and don’t forget to change up your routine every now and then!

Becoming an audiobook narrator can open an array of opportunities and take you places you haven’t considered possible. For example, imagine narrating for one of your favorite authors or being paid to read books aloud!

If you dream of working as an audiobook narrator you’ve come to the right place. In this article we’ll cover the equipment you need to do the job and review five key skills to develop as you begin your journey. Lastly, you’ll find options for finding your first audiobook narrator job. Let’s get going! 

Equipment Needed

When deciding to become an audiobook narrator it’s crucial to determine if you want to work as a freelancer or for an audiobook publisher. If you work for a publisher, they should provide much of the equipment necessary. All you need to be responsible for is being prepared to narrate. 

If you decide to work as a narrator as an independent contractor, then creating an industry standard recording room is crucial to ensure quality. Here are a few of the basics:

• Microphone and laptop
• Sound booth and workstation
• Stand for the device or pages from which you will be reading

When creating your sound booth make sure that outside noise such as traffic cannot be heard in your recordings. For more in-depth information, read the article, how to record an audiobook on your specific budget. 

Audiobook Narrator: 5 Skills Needed

Now that you know some of the equipment you will need, it’s time to discuss the soft skills that help set you apart from other audiobook narrators. 

Public Speaking

Public speaking is often viewed as a “public” career—after all, it is in the name. However, public speaking is an immeasurably helpful training ground for the private career of audiobook narration. 

The more opportunity you have to speak in public, the better you will be able to articulate your words under pressure. 

Voice, Tone, Inflection

Just as the speaking voice, chosen tone, and the various inflections you choose impact how others perceive you in conversation, the same is true for audiobook narration. 

Imagine reading a thriller in a happy, comedic tone. Your voice would not reflect the content you are reading. Mastering these three aspects is crucial to lasting success as an audiobook narrator. 

Acting Classes 

With the idea of inflection in mind, think back to the last time you heard someone read aloud. Did they impersonate the characters they read with their tone? If they were reading a narrative, did they speak softly in appropriate parts and raise their voice in others? 

As much as acting is about gestures and facial expression, much of the subtext in our favorite movies comes from tone. Consider the following dialogue: 

“I would love to take you on a date tomorrow evening.”
“Would you?”
“Well yes, of course.” 

These three lines could be read as a joke, sarcasm, or genuine. Audiobook narration is acting without facial expression. 

Self-Awareness

I took a speech class in college and the feedback I received most was to slow down my speeches. I talked too fast and although people enjoyed my content, they struggled to understand me because of my pacing. 

Self-awareness is a valuable asset, particularly for audiobook narrators. If you are aware you are speaking too fast, too slow, or not adding enough inflection then you can make the necessary changes. 

Research Skills 

Have you ever been reading and stumbled across an unfamiliar word? This is an audiobook narrator’s nightmare. Honing your research skills can help you proactively avoid these issues. When choosing to become an audiobook narrator, invest in educating yourself on a myriad of topics, particularly concerning the genre you would like to record. 

Even if you plan to be an audiobook narrator for sports memoirs, familiarizing yourself with a variety of topics will help your recording process run smoothly. You never know what illustrations or examples a writer may use!

Platforms to Find Narration Jobs

Now comes the fun part—finding your first audiobook narrator job. There are many ways to land your first job, paid or unpaid, and every session you book helps equip you for your future as well.

Reading for Children

Volunteering to read at a school, local library, or even if you babysit young children, all act as a platform to find jobs. Libraries can be a particularly helpful place to practice reading due to the type of people who come in: 

• Aspiring writers
• Published authors
• Readers

You never know who you may meet and network with.

Reading for the Visually Impaired 

Reading for the visually impaired or blind is a great way to help your community while at the same time gaining invaluable practice for your dream job. When reading for those visually impaired, how you use your inflection and tone will dramatically influence how they experience the story. 

Search for Online Writing Groups 

For your first paid job, you may want to start by researching online writing communities. Facebook, Twitter, and Medium are a few places to start your search. If you have your own recording equipment, you can offer your services to these writing groups. 

Offer Your Services to a Self-Publishing Company

If you hope to bring in more steady work as an audiobook narrator, you might want to consider reaching out to self-publishing companies and querying your services to them. When querying, be sure you have an updated website for future clients to contact you, or at the very least, a Facebook page describing your services. 

Take Advantage of Online Job Sites

Open to your favorite job site and type in the keyword audiobook or audiobook narrator. Sometimes landing your first job is all it takes to start you on the path to booking yourself on a regular basis. If a job site helps you in this journey, all the better! 

Next Step: Spend More Time on Your Phone (really!)

Now that you have concrete steps to improve your speaking voice and you know places to look for jobs, it’s time to practice. 

If you have a smartphone, open your recording app and begin reading one of your favorite stories. After you read for several minutes (enough time to get comfortable), play your audio and review it. 

Take notes on what you did well and areas you could improve. Create your own constructive criticism by asking the following questions: 

• Was my voice monotonous or did I use inflection? 
• What speed did I speak? Too fast, too slow, or just right?
• Did I stumble over anything? 

During your practice sessions, don’t worry if you hear background noise. The purpose is to pay attention to your strengths and weaknesses. The more you listen to your audiobook narration practice sessions, the more self-awareness you instill. 

It may feel like a waste of time to read into your phone (or whatever recording device you have), but even just a few minutes of practice in a stress-free environment can draw your attention to nuances you may have otherwise missed. 

The key is consistency over time. Rather than cram three hours of reading in over the weekend, try to practice for five or ten minutes a day. Track your progress, and let us know when you book your first audiobook narrator job!